Artist's Bio:
Deborah Cornell is on the faculty of the Boston University School for the Arts, where she is Chair of Printmaking, and is also the Director and Co-Founder of the Experimental Etching Studio in Boston. She works in digital and traditional prints, painting, installation, and sculpture. Her work has been supported with a Bunting Institute Fellowship and grants from the Deya Archeological Foundation (for work in Majorca), the Massachusetts Cultural Council and the Ford Foundation among others. She has lectured and exhibited internationally, including Great Britain, Canada, France and Australia. Her works are included in the Museum of Fine Arts, the Worcester Museum, IBM, Gannett Corporation, Fidelity, Bank of Boston, Hospital Corporation, and other public and private collections in the U.S. and abroad.
Artist's Statement:
This work was conceived as the virtual realization of an imagined coloristic space, where the evidence of rational perception (such as mapping and geometry) fuses with natural form, archaeological history, and disorientation. Discovered through the Ruins, Linea's images, sounds, and forms were inspired by an immersive sojourn off the coast of Australia. It is based on a former work, no longer existing; a painting in oil and hydrocal relief.
Technical Description:
This piece exists entirely in virtual space.